Colin Short
Professor
Mizenko
JPN
Lit & Comp
15
May, 2025
Poems Relating to the Difficulties
of Buddhism
I
started creating this collection by going through my responses throughout the
semester and choosing the poems I picked as standouts from each reading.
Initially, I was planning to continue this and order my poems in chronological
order. However, as I was going through each poem and writing my analysis of
each one, I noticed the common theme of Buddhist teachings and the poets either
struggling with them or going against them directly. We talked a lot about
Buddhism and its push for not having attachments and living in the current
moment this semester, but many of the poems we read this semester feature poets
discussing past lovers, longing for old homes, regrets, and an overall moment
to live in the current moment. I decided I wanted to try to put a collection of
poems together that demonstrated this idea of a person struggling with Buddhist
tenets. Part of the reason I decided this is because I really struggle to grasp
the finer points of Buddhism. So, a collection of poems written by people who would
have grown up within a culture that it was a part of makes me more sure that it
is alright to be confused about Buddhism, but to still try to think more deeply
about what it is trying to say. I hope that someone who reads through this
collection will come to see that it can be hard to live in the moment, but that
it can be a rich experience if they try.
Ki
no Tsurayuki
Poem
176
The
hue is rich
And the perfume as fragrant
As the days gone by,
but
how I long for a glimpse
of the one who planted the tree.
This
poem is labeled as a lament. Tsurayuki describes something very human as he is
reminded of a person by seeing something the person left behind. The idea that
he is looking at this beautiful tree, either a Sakura or a plum tree, but all
he is thinking about is how he would rather be with the person who planted it.
This poem also demonstrates how people naturally struggled with Buddhism. The
idea that things are constantly changing, and humans should strive to be above
attachments. Despite this, the poet is unable to live in the moment and
experience the beauty of the tree. They are stuck in the past. It is so human
and beautiful at the same time.
Izumi
Shikibu
Poem
208
Of
no use at all-
These
cherry blossoms blooming
around my house.
For
it is the tree’s owner
people really come to see.
This
poem once again focuses on the importance of cherry blossoms and how they are
the center of social gatherings. It also focuses on how it wasn’t really the
trees that brought people around, but instead the people who planted the trees.
This connects directly with the first poem in the collection, as the person
uses the tree to reflect a person they have lost. Izumi also focuses on how
important connections were in society. This poem reads as a cry of regret that,
despite the pretty trees around the speaker, people don’t come to see them. The
poem has a sad undertone because of this. This continues the importance of
human connections and the imperfection of the authors and humans as a whole, as
they are unable to completely remove themselves from connections.
Fujiwara
no Teika
Poem
386
“Think of the past!”-
so
the moonlight seems to say,
itself
a remnant
of autumns long since gone,
that
I could never know.
This
poem personifies the moon as something that both reminds the poet of their own
past and also reminds the poet of how old the world is. The moonlight itself
may remind the poet of an experience they had one night. This idea of thinking
about the past connects with the struggle of humans living in the present.
However, the moonlight also reminds them that there were things that happened
long before them, and also that things will happen long after them. The moon
can often represent Enlightenment, so this could be interpreted as the moon
trying to get the poet to think about how much the world changes around them
instead of focusing on a singular point in the past.
Ariwara
no Narihira
Poem
118
Upon
the pathway,
I
have long heard others say,
Man
sets forth at last –
yet
I had not thought to go
so very soon as today.
This
poem is classified as a lamentation and was written while Ariwara no Narihira
was sick. This poem shows Narihira as he grapples with what appears to be his
impending death. He even talks about how people often talk of death and how
every man (person) dies and disappears at some point. This idea continues a
central theme of Buddhism, as everything dies and the world will continue on. However,
once again, the poet is scared of this aspect of Buddhism and writes a poem to
help explain their feelings on it. Even if Narihira knows he will die, he still
feels connected to the world and doesn’t feel ready for such a permanent
change.
Tales
of Ise (No named author)
Section
9: Poem on Mount Fuji Pages 42-43
Fuji is a peak
indifferent
to season.
What month does it think this,
that
snowflakes should be falling
to
spot its slopes like deerskin?
This
poem focuses on the natural beauty of Mt. Fuji and its steadfastness no matter
what happens around it. This poem also comes in a section dedicated to travel,
so the focus is on one of the most iconic natural landmarks within Japan makes
sense. Mt. Fuji’s refusal to change at first seems to directly go against the
idea of acceptance of change within Buddhism however, it does still connect to
common images of Buddhism. Mt. Fuji just is. Part of Buddhism promotes
acceptance and also advises against humans applying their own preconceived
notions to the world. Mt. Fuji can be used as a symbol of acceptance as it
towers over Japan, above all the worries about the Earthly world humans end up
concerned with. Instead of representing a human struggling with their
connections, it presents a symbol of something that has risen above them.
Ariwara
no Narihira
Poem
119
Must
the moon vanish
in such great haste, leaving us
still unsatisfied?
Retreat,
O rim of the hills,
and
refuse to let it set.
This
poem describes how the moon is vanishing before Narihira’s eyes. He begs for
the world to change to allow the moon to stay in sight. This poem demonstrates
how people will fight against change and the wish to stay in a happy moment,
instead of being ready to experience the next thing. Asking for the hills
themselves to move also contributes to the feeling of a person being willing to
do anything to keep things from changing. Another way to interpret this poem is
that the moon represents Enlightenment, and Narihira wanted to convey that he
felt he was close to Enlightenment, but that he wasn’t able to completely grasp
it. This idea of wanting to keep experiencing the same thing that brought a
person close to Enlightenment, but this push to stay within a past moment, is
what is keeping a person away from achieving it is ironic and further
represents the struggles humans face as they try to follow Buddhist teachings.
Kokinshu
Sequence from Spring 2
Poet-
Nara Emperor Heizei
Poem
184
Even
at Nara-
The
ancient royal city
now a former home-
the
flowers have come into bloom
in the colors of the past
This
poem once again focuses on flowers blossoming and their cyclical nature. These
flowers are once again used to illustrate how the world is always moving and
changing, no matter what humans do. The poet uses the image of Nara, a former
capital of Japan, to illustrate it. Nara would have been the center of culture
at one time, but now it is described simply as a former home, giving it the
image of being empty. However, the flowers still bloom there whether people are
there to see them are not. However, this poem also has a nostalgic undertone
with the line “in the colors of the past.” This line helps imply that witnessing
these flowers blossoming reminds the poet of the past. This helps demonstrate how,
despite the world’s constant changing and Buddhism’s appeal for people to live
in the moment, people struggle with the idea and even apply their understanding
and memory of the world to the flowers themselves. This is similar to the first
poem in the collection, as the poet is reminded of the person who planted the
tree, instead of being in the moment. These poems continue to represent the
struggle of humans to deal with their attachments.
Monk
Saigyo
Poem
301
After
the leaves fall
in the villiage at the foot
of Ougura Peak,
one
can see through the branches
the moon shining in the clear.
This
poem is a winter poem, unlike the previous poems in the collection focus on more
spring imagery. The poem follows closely with the idea of accepting how things
change. Instead of lamenting the loss of leaves, Saigyo describes how the moon
suddenly becomes visible. It is a glass-half-full approach to something that
can often be depicted as said as the beautiful leaves from autumn fall to the
ground. Beyond that, winter is often used to represent death within Japanese
literature, and the moon can be a symbol of Enlightenment. So this poem can
also be interpreted as someone approaches their death, the way becomes clear,
and they gain a better understanding of Enlightenment. This poem aligns well
with Buddhist teachings and helps depict a way for people to think about their lives.
Instead of clinging to things that will always change, they should instead
strive to find beauty and meaning in the things around them in the present.
This collection ends with what appears to be a person achieving Enlightenment, or at least closer to Enlightenment than the poets before them. I hope that as a person reads through the collection, they will think back on their own pasts and reflect on themselves today, so they can try to better live in the moment. I hope it will also help people have a better understanding of Buddhism after they have read through everything. All of the poems I selected helped properly drive my main idea forward, and I hope that as people read through them, they see the
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